Lifestyle

“Lumière Bistro” Sarastro, an intersection where food, music and fun meets Murad Magden Maintains Richard’s Legacy with Innovation and Dedication By Riz Z Bhutta In a world where flavors dance on the palate, melodies serenade the soul, and colors splash across canvases with joyous abandon, there exists a place where music, food, art, and fun intertwine in a delightful symphony of the senses. The walls are adorned with vibrant artwork, each telling its own story and inviting you to get lost in a world of imagination and creativity. From bold abstracts to intricate portraits, the gallery-like atmosphere adds an extra layer of intrigue to the dining experience. But it’s not just the food and art that make this place special; it’s the sense of fun and camaraderie that fills the air. Friends gather around tables, sharing plates of tapas and clinking glasses of wine as they revel in the joy of good company and lively conversation. Imagine a “Lumière Bistro” tucked away on a charming cobblestone street, where the aroma of freshly brewed coffee mingles with the scent of freshly baked pastries. As you step inside, you’re greeted by the cheerful sounds of live music drifting through the air, accompanied by the gentle hum of conversation and laughter, Imagine a place like Sarastro. Step into the surreal world of Sarastro, a vintage culinary oasis nestled in the bustling streets of Covent Garden, London, founded by Richard Niazi. A seemingly larger than life character, well known as the “King of Covenant Garden”. Named after Mozart’s timeless masterpiece, “The Magic Flute,” Sarastro opened its doors in August 1996, and since then, it has been captivating diners with its unique blend of gastronomy, opera, and classical music, all wrapped in a cloak of whimsy and charm. Located at 126 Drury Lane, Sarastro is more than just a restaurant; it’s a celebration of artistry and culture. From the moment you set foot inside, you’re transported to a bygone era, where vintage elegance and 19th-century charm still reign supreme in the heart of the 21st century. At Sarastro, the culinary offerings are as exquisite as the arias that echo through its halls. Each dish is a culinary masterpiece, meticulously crafted to delight the senses and tantalize the taste buds. From traditional Mediterranean flavors to innovative fusion creations, every bite is a symphony of flavors that pays homage to the rich tapestry of culinary traditions. But it’s not just the food that sets Sarastro apart; it’s the seamless integration of opera and classical music into the dining experience that truly makes it a standout destination. As you dine, you’ll be serenaded by live opera performances, transporting you to the grand theaters of Europe where the classics come to life. Richard passed away in 2008, and he was laid to rest by the show he wanted after the show he had lived which ended in Nicosia, Northern Cyprus. After his demise, Sarasota was passed down to Richard’s daughter Sibel, and her uncle, Murad. In this article, we invite you to join us as we explore the magic of Sarastro, delving into its rich history, culinary delights, and captivating entertainment. Prepare to be enchanted as we uncover the secrets behind this iconic London institution and discover why it continues to cast its spell on patrons from around the world. In a candid interview with Murad, the esteemed successor to the renowned Sarastro restaurant, he shed light on the establishment’s rich history and enduring ethos. As Richard Niazi’s brother-in-law, Murad has played a pivotal role in preserving and nurturing Sarastro’s legacy, alongside Richard’s daughter, Sibel. Reflecting on Richard’s profound affinity for the performing arts, Murad recalled his unwavering passion for opera and classical music, with Mozart’s masterpiece, “The Magic Flute,” holding a special place in his heart. Murad emphasized how Richard’s admiration for the opera’s principal character, Sarastro, mirrored the ethos of the restaurant that bore its name. Acknowledging the skepticism that often surrounded Sarastro, Murad was quick to dispel any misgivings, echoing Richard’s sentiment that Sarastro meant no harm to anyone. Instead, Sarastro embodied a spirit of benevolence and a steadfast commitment to spreading joy and happiness through its culinary offerings and vibrant ambiance. With the passing of the torch to Sibel and himself, Murad affirmed their dedication to upholding Richard’s vision and continuing to nurture Sarastro as a cherished destination where music, food, and fellowship intertwine to create unforgettable experiences. In essence, Sarastro the restaurant remains a testament to Richard Niazi’s enduring love for the arts and his steadfast belief in the power of hospitality to uplift and inspire all who enter its doors. Delving into the heart of their menu, discovering a diverse blend of flavors that seamlessly blend Mediterranean tradition with a distinctive Turkish twist, after interactions with the culinary team,  “Our menu,” they explained, “embodies the vibrant spirit of the Mediterranean, infused with the rich culinary heritage of Turkey.” Each dish is a masterpiece of flavor, crafted with care and precision to delight the senses and transport diners to sun-drenched shores and bustling bazaars. At the forefront of Sarastro’s culinary offerings is the Kuzu Incik, a dish beloved by patrons and revered for its exquisite taste and texture. This succulent lamb shank is slow-cooked to perfection, allowing the flavors of a carefully curated mix of herbs and spices to infuse every bite with warmth and depth. Equally captivating is the Ackabat Kofte, a culinary delight that marries the bold flavors of ground beef and lamb with a highly aromatic blend of spices. Grilled to perfection, each bite of this savory creation is a testament to Sarastro’s commitment to excellence and innovation.  As diners embark on a gastronomic journey through Sarastro’s menu, they are invited to savor the vibrant flavors and aromas of the Mediterranean, enhanced by the unique influence of Turkish cuisine. From the tender richness of the Kuzu Incik to the bold flavors of the Ackabat Kofte, every dish tells a story of tradition, innovation, and the joy of sharing a meal

From Code to Curls Hana AL Karbi A Journey into the World of Hairstyling By Afef Yousfi In the labyrinth of life, paths often diverge unexpectedly, leading us to destinations we never envisioned. Such is the tale of one individual whose journey from a degree in computer science to the artistry of hairstyling unveils the unpredictable twists of fate. Meet ccc a remarkable woman whose narrative epitomizes the fusion of passion, family bonds, and the ever-evolving landscape of beauty trends. In a world where dreams often follow a predetermined path, Hana’s journey to becoming a hairstylist was anything but conventional. While her sister’s aspirations of mastering makeup artistry were unwavering from an early age, Hana found herself charting a different course. It wasn’t until a casual suggestion from her mother that the spark of curiosity ignited, leading her down an unexpected avenue that would redefine her future. With the onset of the COVID-19 pandemic, traditional avenues of work and creativity were disrupted. Yet, amidst the chaos, Hana found opportunity. Leveraging the power of digital platforms, she embraced social media as a stage to showcase her talents and connect with a global audience. “Social media became my virtual salon,” Hana shares. “With each post and tutorial, I found a way to not only share my expertise but also to inspire and connect with fellow beauty enthusiasts worldwide.”  With an impressive following on Instagram and TikTok, Hana’s reach extended far beyond her wildest dreams. Her captivating hairstyling tutorials captivated audiences, garnering millions of views and establishing her as a trailblazer in the realm of online beauty content. She says: “For me, discovering the nuances of different hair types has always been fascinating,” Hana shares. “Each client presents a unique canvas, and finding the perfect hairstyle to complement their personality and overall look is truly an art.” Indeed, hairstyling is a constantly evolving art form, with new trends emerging every day. “Keeping up with the trends is essential,” Hana explains. “But what truly excites me is the process of crafting the perfect hairstyle, taking into account everything from the client’s personality to their attire and desired aesthetic.” Living in a region where women are encouraged to pursue their dreams has been instrumental in Hana’s journey.  “I believe that being recognized for your work not only motivates other women but also demonstrates that there are no limits to what you can achieve,” she reflects. Throughout her 10-year career, Hana has continually sought to expand her knowledge and expertise. “I’ve had the privilege of learning from professionals from diverse backgrounds and countries,” she says. “Each experience has enriched my understanding of hairstyling and inspired me to explore new approaches and styles.” Collaborating with her sister Nadia, a talented makeup artist, has been a highlight of Hana’s career. “Working together allows us to coordinate our efforts and create a cohesive look for our clients,” she explains. “When hair and makeup complement each other, along with the bride’s gown and personality, the result is truly magical.” “To all those women and anyone else considering this career path, my advice is simple: start learning, hold onto your passion, and don’t let any obstacles stand in your way.” In today’s digital age, access to knowledge has never been easier. Hana encourages aspiring hairstylists to take advantage of online resources such as YouTube, TikTok, and Instagram, where countless professionals share valuable tutorials and tips. May you also want to read about other inspiring stories in Magnav Magazine: Erim Kaur, Murad Magden, Mary Cristine, Yara Khadir, Alina Anwaar, and Anastasia Rogozhina. “Mastering the basics is the first step,” she advises. “Once you’ve honed your skills, don’t be afraid to get creative and put your own spin on trending styles.” Collaborating with friends and family can also be a valuable learning experience. “Offering free hairstyling services to loved ones is not only a great way to practice but also a chance to build your portfolio and gain confidence in your abilities,” Hana suggests. “Word of mouth can be a powerful tool in building your clientele.” Receiving messages from women seeking guidance on entering the hairstyling profession reaffirms the impact of my journey. My advice to them echoes the essence of perseverance and leveraging available resources, emphasizing the limitless opportunities afforded by digital platforms. Empowering others to explore their creative potential is a fulfilling aspect of my role, transcending geographical boundaries.  In the Arabian world, where tradition meets modernity, hairstyling emerges as a powerful form of cultural expression and identity. Hailing from the picturesque city of Al Ain, nestled near Dubai, Hana’s journey reflects the rich tapestry of tradition, innovation, and beauty that defines Arab hairstyling. For Hana, hairstyling is more than just a profession, it’s a celebration of individuality and pride. “In the Arab world, hair is not simply hair,” she shares. “It’s a symbol of identity, a source of pride, and a canvas for self-expression.” On a personal level, Hana finds solace and inspiration in her familial bonds and the simple joys of life. “Amidst the whirlwind of professional pursuits, I cherish moments spent with loved ones,” she reflects. “These connections ground me and remind me of the importance of authenticity and timeless elegance.” As Hana continues to weave her way through the dynamic world of Arab hairstyling, her journey serves as a testament to the enduring beauty of tradition, the power of innovation, and the universal language of creativity.  Looking to the future, Hana’s aspirations extend far beyond her hometown. “I envision myself as an international educator and ambassador for hairstyling,” she reveals. “By sharing my knowledge and passion with aspiring hairstylists around the world, I hope to contribute to the global hairstyling community and inspire creativity across diverse cultures.”  Lorem ipsum dolor sit amet, consectetur adipiscing elit. 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The Astonishing Chronicle ofErim Kaur Crowning the Gorgeousness in her way By Bisma Ijaz Women are asserting their influence on almost every sphere including businesses, digital media, and politics. They are leading the professional world right from the forefront worldwide and writing their destinies. With their femininity, they are ruling the masculine world with grace and resentment. Numerous Fashion and Beauty Influencers inspire young girls and women to take daring steps and reach the world’s top. They are uplifting their morals and telling them to achieve their dreams unapologetically. With their aspiring personalities, they are responsible for challenging the norms and shaping the world for a distinct and inclusive future to make this fast-changing world a better place for women. Erim Kaur stands out as eminent influencers leveraging their platform to inspire millions of women all across the globe. She is an entrepreneur, empowering women to take risks, turn their dreams into tangible realities, and live out their lives to the fullest. She is bold, innovative, and opinionated. She knows the value of her stance, and using her platform to educate and advocate individuality. She is inspiring women to be themselves and never turn back because of any troll or insecurity. Team MAGNAV is delighted to be in a lovely discussion with Erim. While shedding light on her professional journey, Erim shared her early life experiences. She said, “I began in university working in night clubs and I was working in a variety of different roles from bottle service to VIP manager to being on the door helping with guest lists. I saved up my tips and put this towards my business which I launched when I was 23 years old. We sold our initial 250 stocks and then doubled it and sold it in less than four hours at which point my dad came on board to streamline all of our processes and the business started to take off and to this date we’ve sold over Ninety-five thousand plus, products across eight SKUs worldwide.” When we asked her about How she was able to start a business is such a young age. She said, “The greatest thing I learned was that it’s important to hire the right people. The underlying thing that I’ve realized who align with the mission and vision of the business from a wider perspective tend to have much better relationships with them and they tend to have a much better relationship with their work and this is something I have not integrated with for work and that’s helped me create a team with low turnover – infect our most recent addition has been a year ago!” Erim believes that for a woman influencer in Developing regions, leading as a role model to encourage individuals is important, she said, “Leading as a role model and representation is important. I always think that. I hope that through my platform on social media, any girls who look at me from a South Asian background might be able to hopefully look up to the fact that if Erim made it as an ambassador for Pandora and if she’s made it in XYZ magazine, potentially they can do it too. Both my leading by example and being one of the first to open certain doors I have would mean that so many other girls can run through doors after me.” MAGNAV asked her what appeals to her about cities like London or Dubai serving as a cosmopolitan center for all communities, “I think London and Dubai are very different. London has so much history and so much diversity with richness in culture and heritage. Dubai is a new, thriving city and as a businesswoman, it’s a great place for me to be because there are so many people who have recently moved there and are on their entrepreneurial journeys and I definitely can sense there’s more opportunities for conversation and networking.” May you also want to read about other inspiring stories in Magnav Magazine: Hana AL Karbi, Murad Magden, Mary Cristine, Yara Khadir, Alina Anwaar, and Anastasia Rogozhina. Sharing the prospects of her distinctive fashion sense, Erim said, “My sense of style changes day to day. I almost like to say that I’m cosplaying whatever activity I’ll be doing that day. For example, I’ll be cosplaying as a girl who’s going to go sit in a cafe and work or I could dress up as someone who would go to central London for a brand or dress up as someone who’s going on a date night, etc. I like to have fun with my wardrobe and generally stick to the core theme of neutrals and I love layering – it’s a great way to elevate your outfit. But above all, I like to be comfortable and work with my proportions which is something I’ve learned to do as I’ve gotten older.”  There is a notion about Influencers’ lives that ‘Everything is perfect in their lives’ which tends people to have unrealistic life expectations. But Erim shares a different approach to it. She says, “I try to be as raw and honest on my social media pages as much as I can and they only get to see a small window into my day. I do encourage people who consume content to remember that you only see a portion of someone’s day, and you don’t see all of it. You know a lot of the time, hardships we all face daily can be personal and those types of things aren’t usually shared online. We are all human and we’re all facing our tests and challenges on this earth!” Answering a question about how important hair is for a woman’s personality, does gorgeous hair add to their beauty and confidence, as well as an attraction for their partners, she said, “It depends on the woman herself. I try my best not to view beauty through the male gaze and whether the partner is going to prefer a particular look. Some women

Celebrating Diversity the Stimulating Journey ofYara Khadir A Ballet Maverick Defying Boundaries By Gift Olaitan Ologun Dancing is like painting with your body, expressing emotions and stories through graceful movements and rhythmic steps. It’s a joyful way to connect with music, unleash creativity, and share moments of pure happiness with others. Whether swaying to a gentle melody or bursting with energy to an upbeat rhythm, dancing lets you lose yourself in the moment and feel truly alive. Yara Khadir, a 25-year-old Syrian is a multi-talented Dancer, influencer, trainer, and gymnast in the UAE. She is certified by the British board and has so many accolades to her name, She has been part of the Syrian national team since 2011. As a career-oriented young woman, she has been training herself since the age of 11, she had training in various activities ranging from aerobics to Zumba and paragliding with awards and certificates to show for it. In a world rife with gender biases favoring men, this remarkable young woman has shattered stereotypes, transcending societal limitations to reach for the stars. Beyond her undeniable talent, she stands as a beacon of activism, leveraging her media platform to amplify voices and advocate for justice. Amidst the tragic backdrop of the ongoing conflict between Palestine and Israel, she fearlessly raises her voice against the atrocities inflicted upon the Palestinian people. With unwavering determination, she shines a spotlight on the senseless loss of innocent lives, particularly children, caught in the crossfire of war. “Dance, in its various forms, is often stigmatized and misunderstood,” she observes. “Yet, my passion for this art form fuels my determination to defy societal norms and carve a path of my own.” Her advocacy transcends mere words, as she channels her passion into action, galvanizing support for humanitarian efforts and championing the cause of peace. In a world plagued by division and strife, she stands as a testament to the power of resilience and compassion, inspiring others to join her in the fight for a more just and equitable world. As talented as Yara is, she has taken dance as that which she cannot do without.  “Dance is a staple for my soul”, She said. She started dancing at the age of nine and she has not stopped since then, she chose ballet as a means to express herself and she demonstrated greatly the beautiful art behind dancing. As a professional and a trainer, she has been able to impart her knowledge into others who have chosen dance as a lifestyle. The entrepreneurial spirit of the businesswomen Khdair aspiration has long been to support a venture close to her heart. In due course, she not only cultivated a revenue stream for herself but also for others by founding Horizon Fitness Center. Additionally, she contributes as a part of the gymnastics panel within the Syrian Sports Association. Khdair also embarked on her career journey as a model at the tender age of 19, exploring realms in advertising photography, and sports along the way. Grateful for her family’s unwavering support, she acknowledges their role in her pursuits. With over six years devoted to the stage, Khdair’s thespian pursuits have been significant. Yet, her passion for dance remains paramount, infusing her life with positivity akin to magic. “To succeed, one must first believe in oneself and cultivate unwavering self-confidence,” she advises. “Criticism and negativity only serve to impede progress. Instead, embrace diversity, defy convention, and passionately pursue your passions.” Immersed in UAE’s cultural mosaic, Khdair finds herself flourishing amidst a rainbow of diverse cultures and nationalities. Each encounter nurtures a deeper understanding, offering invaluable experiences and insights that enrich her worldview. “At the onset, navigating these diverse social spheres posed a challenge,” she muses, “Yet, with time, I’ve grown adept at traversing the intricacies of cultural exchange, finding solace in the mosaic of acquaintances from myriad backgrounds. These encounters not only shape my character but also fortify my resilience.” Choosing ballet as her early form of self-expression, Khdair embarked on a path that, unbeknownst to her, would be fraught with societal obstacles. Reflecting on her journey, she laments the lack of interest and support for dance, especially ballet, in the Arab world. “Dance, in its various forms, is often stigmatized and misunderstood,” she observes. “Yet, my passion for this art form fuels my determination to defy societal norms and carve a path of my own.” Driven by a vision of global recognition and distinction, Khdair sets her sights on achieving greatness in a world teeming with fame but lacking in true distinction. Despite her penchant for solitude and introspection, she remains steadfast in her pursuit of personal and professional excellence. “For me, success is not merely a destination but a conscious choice,” she asserts. “It requires resilience, self-belief, and a steadfast commitment to one’s goals.” Rejecting the confines of routine, Khdair embraces change and diversity as constants in her life. Unfettered by the allure of brands, she finds beauty in simplicity and elegance, choosing attire that resonates with her mood and personality. “My style is a reflection of my inner self,” she declares. “It evolves with me, adapting to the ebbs and flows of life.  With a burgeoning following on social media, Khdair emerges as a beacon of inspiration for young netizens, imparting wisdom garnered from her own journey. “To succeed, one must first believe in oneself and cultivate unwavering self-confidence,” she advises. “Criticism and negativity only serve to impede progress. Instead, embrace diversity, defy convention, and passionately pursue your passions”. In her message to her admirers, she extends a rallying cry for resilience and perseverance, reminding them that with dedication and hard work, no dream is beyond reach.  You may also want to read about other inspiring stories in Magnav Magazine: Erim Kaur, Hana AL Karbi, Murad Magden, Mary Cristine, Alina Anwaar, and Anastasia Rogozhina.

THE MARVELLOUS VOYAGE OF Diversity Mary Cristine A dedicated Advocate of Holistic Health is on her Way to Expand and Redefine True Wellness By Oishika Sen  Almost everyone experiences loss and subsequent grief and trauma, but not everyone can easily overcome it or channel their mourning in positive ways. Mary Cristine ‘s approach stands out amidst the dogmatic views on healing and coping. As a holistic health coach, Mary Cristine is driven by compassion, empathy, and a deep understanding of the barriers to genuine health and wellness.  Through Betha Life, her mission is to revolutionize health and wellness with unwavering support and scientific rigor. Mary Cristine’s professional journey started in the corporate world, where she achieved stability and growth but felt a sense of stagnation. The loss of her father to cancer and her son’s neurological disorder ignited her passion for health and wellbeing. Inspired by her son’s healing journey, Mary Cristine pursued becoming a clinically certified nutritionist with a focus on gut health and functional medicine. Her goal is to transcend corporate limitations and make a meaningful impact on individual well-being. Like many professional fields, women like her have the additional responsibility of breaking the “glass ceiling” along with excelling at their chosen careers. By doing so, Cristine says “we challenge preconceived notions and inspire others to pursue their aspirations regardless of gender. By demonstrating competence, resilience, and leadership, we contribute to dismantling stereotypes and fostering a more inclusive mindset.” Of course, they bear this responsibility whether they wish to or not, and this can often be a burden rather than a badge of honor, demanding additional perfection and excellence to be taken seriously in a field where she is considered another. Although, one may argue that this is a double-bladed sword necessary for the greater good.  Cristine explains, “In the professional sphere, women leaders often bring unique perspectives and management styles, emphasizing collaboration, empathy, and diversity. This not only cultivates a more inclusive workplace culture but also sets an example for future generations of women aspiring to leadership roles.” “Additionally, women have leveraged platforms such as social media and international forums to amplify their voices and advocate for change. By sharing personal stories, achievements, and challenges, we connect with a broader audience, fostering a sense of solidarity and inspiring others to challenge norms”. May you also want to read about other inspiring stories in Magnav Magazine: Erim Kaur, Hana AL Karbi, Murad Magden, Yara Khadir, Alina Anwaar, and Anastasia Rogozhina.

The Good, the Bad and the Ugly Side of Social Media Influencers By Aniqa Yousaf There is no denying that the existence of social media influencers has changed the world. Many may have started out with small and young followings on YouTube, which eventually exploded into major brand deals, nominations for prestigious awards, and followings of millions on major social media platforms like Instagram and TikTok. With a near-constant presence on the world’s stage comes great power and influence, as the job title implies. Many have wielded this responsibly and for the greater good. However, this phenomenon is a double-edged sword that can enlighten as well as impair. Much of the online work produced by influencers is one way or another, “aspirational”. While such content can (and has) offered encouragement and inspired viewers to make positive changes in their lives, too much of anything is a bad thing, and this has tipped over into territory that is destructive rather than constructive. Many influencers have notoriously become the bane of our existence by creating new problems or exacerbating existing ones.  Impossible body standards have plagued us for as long as humanity has excited. This has exponentiated tenfold with the accessibility of influencer content. One’s explore page can very easily fill up with influencers sporting and monetizing their conventionally attractive faces and bodies for the average person to see at any time. What we do not see is the hundreds of other photos that were not posted, the hours spent planning the shoot, the possible digital manipulation to make the model look that much more unreal, the fillers, cosmetic surgery, and steroid usage that many do not disclose to convince their following that they indeed look “perfect” all the time. Aided by the addictive way social media platforms have been designed, there have been far too many people who are suffering from eating disorders, awful body image issues, and abusing drugs to achieve an unreal perfection that does not exist. A 2016 study by MIT concluded that nearly 20% of people suffer from depression that has been abetted by social media with 7% of the subjects suffering from anxiety.  In addition, sites like Instagram frequently present inflated ideals of lifestyle and beauty, which can cause insecurities and relationship discontent. Moreover, the widespread presence of explicit content on social media platforms normalizes vulgarity and challenges cultural norms about decency and dignity. This quest for perfection also manifests in the form of overconsumption. The ongoing craze over the Stanley Cup is but one of many, many examples of influencers being paid by businesses to convince their audience that they need this business’s product (regardless of how true that is). Influencers have gleefully posted shelves full of the sleekly designed cup in as many designs and patterns as they have been able to come across, boasting that they have a cup “to match every outfit”. Many are predicting that several of these bottles will end up in landfills and have pointed out that this phenomenon destroys the purpose of a reusable water bottle, something designed to cut down our consumption of single-use plastic bottles and can last the user for several years (if not an entire lifetime).  A study by the University of Missouri revealed a link between the rise of divorce rates and social media usage, fueled by the “highlight reels” posted by couples on social media, idealized snapshots that don’t show the ups, downs, and effort that goes into a committed relationship. Such depictions have led to feelings of inadequacy, dissatisfaction, and unrealistic expectations within a relationship that may have otherwise been healthy. However, increasing rates of divorce and discontentment may also be attributed to people realizing that they are trapped in unhappy or abusive relationships and fortunately becoming empowered to try and leave it. As it is with most things in the world, the true roots of this issue can be traced back to our current psychological, economic, and sociopolitical status quo. Especially to a generation who have watched their predecessors work themselves to the bone in pursuit of promotions and pay raises that never came for companies that announce record-breaking profits every year while their employees cannot afford to buy homes, being a social media influencer who is sent free products, gets paid to travel and has control over their work-life looks like an awfully lucrative career path.  While there is certainly some truth to glamorous influencer lifestyles, many of them go into debt to be able to build, maintain, and flaunt a luxurious lifestyle that they cannot afford, some even going to the extent of faking it together. There are indeed several social media influencers who promote harmful habits, misuse their fanbase, and mislead the public, sometimes to dangerous extents to make a quick buck, they are merely a symptom of the larger problem rather than the source of it. However, merely being the face of such problems certainly does not mitigate them their complacency. As has been discussed and demonstrated, influencers possess a lot of power and agency, and many influencers have used their platforms for the greater good while being able to monetize their creations and maintain a steady income, so there is certainly no excuse for those who do the opposite. To alleviate this, on an individual level, one could unfollow them and avoid influencers (and any online profiles in general) that hinder our relationship with our mental, emotional, and physical health. Another way to cut down on social media screen time is to disable notifications for non-essential apps (which means we are not tempted to open every notification we receive and inevitably get lost in the doom-scrolling rabbit hole) and limit the amount of time we spend on an app. Some third-party apps and extensions have this function, and some smartphones have such built-in features.  On a larger scale, we collectively need to hold influencers who abuse their reach accountable, avoiding the platforming of the ones that do and encouraging the ones that don’t. Governments

Understanding the Attire Enigma in Pakistan’s Women Hajra Sumaira Imran The Art of Adornment The dress code of a person is a reflection of one’s personality. Each country has its respective dress code for both genders. Fashion trends and designs have evolved with time carrying with them the spirit of the era. In the last two centuries and then the transition into the twenty-first century, history took a major turn. Ideologies were destroyed and evolved with an impressionable impact on the physical attire. If the focus is put on South Asia, specifically Pakistan then the partition can be a distinctive line for studying the dress code of women. Before partition, the culture of the subcontinent had immense diversity. The Mughal era had its specifications with embroidered dresses such as saris, and gowns. When the British came, along came the Western attire but the women were stuck to their tradition. Men on the other hand, especially upper-class men were seen in crisp suits but were also seen in sherwani, kurta, angarkha, lungi, etc.  After 1947, tribal and princely states were annexed and their rule was over. However, the traditional attire was carried distinguishing each culture which were known as Punjabi, Balochi, Sindhi, Kashmiri, Pakhtun, etc. There are also many subcultures such as Kalasha, Balti, Kalasha, Seraiki, and Hazara. The patterns of their design add to the multicultural beauty of the women of Pakistan. Balochi have Doch, Sindhis have ajrak, Seraikis have ajrak, chitrali pakol, etc. In urban areas, women were seen in Saris with sleeveless blouses, shalwar kameez with dupattas in their necks, or swaying on shoulders. In rural or tribal areas, the women had a big chaddar with them and stuck to lehengas and kurtis. But when the religious sentiments were evoked in Pakistani identity and it was limited to religious attire, things began to change. The Islamization projects and the Afghan war brought the burqa to Pakistan. It diminished the vibrancy of women to a monotone black attire. It was preached that women are objects of desire and sexual appeal hence they should be clad in a loose piece of clothing so that men can’t be strayed from the right path.  It was not that women were immodest or wore revealing clothes, although it is a personal choice and must not be morally policed. Shalwar kameez was common with distinct varieties such as gararas and shararas. The head scarf was not made a big deal until it was imposed by men on women to cover their heads. The influence of the Iranian revolution must also be counted as women were barred from public places. It is ironic that with any political change especially one charged with religious frivolity, the greatest apparent change occurs in the dress code of women. The Internet is filled with such picture comparisons of before and after a regime change. Some recent examples of the last two decades are evidence of this reality. Political parties tend to involve religion in politics to appease the religious sentiments of the masses by exciting their religiosity, especially in defining the role of women. When such an imposition is made from the top leadership then it is transferred with increased extremism to the masses.  The current times have their own challenges for women and the debate always started from their physical appearance, especially their attire. A woman is judged only on one parameter and that is religious morality. The dress is also evidence of her chastity, moral high ground, and socio-religious background. A woman is obligated to be fully covered with a dupatta on her head, covering her chest as no stray lock or a curve of her body is seen. Her clothes should be loose fit and the stuff must not reveal her body except her feet or hands, exceptions can be made on festive occasions. This is how a woman should be seen inside and outside her home otherwise she has to be regulated according to norms dictated by men or elder women. This is the typical life of a common woman dictated by anyone except her own will. The urban areas counting only three or four cities have women dressed in Western clothing but elsewhere, the traditional shalwar, kameez, and dupatta.  The feminist debate on women’s clothing gave full autonomy to women in dressing however they liked. A woman is a human first and not a constant object of desire who will seduce men, the misplaced biblical argument is that Eve urged Adam and hence humans are serving ordeal on earth and woman is an evil to be kept away. But being a feminist is considered an abuse in Pakistan as it is commonly called a Western agenda and the women of the organization as immodest, unruly, and foreign-funded women. They are rendered Western agents who want to destroy the sanctity of religion, and family life and persuade women to not marry and leave their husbands. This is a unanimous answer given by anti-feminists in Pakistan about a women’s rights organization.  The argument for a woman’s clothing is directly attached to her social, religious, and political rights. A simple example of sexual harassment can easily explain how a woman’s dress is a parameter of her modesty and public security. Whether a woman, including teenage and underage girls, is inappropriately touched, harassed, catcalled, or raped, the question posed o the victim is what was she wearing. Then the filthy victim blamed builds on why she was there and women have a place in their homes and must be placed there in proper attire. This is a complete farce devoid of logic as what about those women who face domestic violence and marital rape? The stifling joint family systems also call for increased incidents of inappropriate touching by other male members but the woman holds her silence to save her marriage and because no one would believe her.  The concluding argument would be that a woman is free to dress according to her will. The dress is

The Enchanted ‘UTOPIA’ of Dubai By Peter Davis ‘GLOBAL VILLAGE’ IS A WORLD EXCURSION IN JUST 4$ ‘ While wandering around the city of possibilities, I found a utopia like no other. In competition with hundreds of prime attractions in Dubai. The global village is one magical place full of stunning attractions. Looking at the entrance gates, I had only one thing on my mind “Is there heaven behind these gates”. Perhaps it is a unique cloud nine on Earth. The giant entry gates have amazing artistic decor, fascinating lights, a glorifying impact, and a futuristic entry system. I think I was witnessing more colors than I ever counted in existence. Certainly, entering this heavenly place “Rainbow” can educate itself better about the colors. There is a rare fragrance in the air, a novel feel because we have just arrived at the world of happiness. Smiles all around, the people, the flamboyant business kiosks, amusing performing artists, much more than my imagination predicted at this place. I became a part of the happiness club along with thousands of people smiling at each other. Children laughing and enjoying themself everywhere. Few kids running around, a little girl trying her hand at an Ice cream, a few Ladies at a Hot Custard kiosk, people around the magical fountains, a store men busy in dalliance of Arabic fragrances, and a lot more than can be hardly described in words. The point is you will not see a sad face in the global village. I reached Europe and after spending some time I took the travel to America right next to it with too much available to shop here. I decided to walk myself to Japan which was not as far from the global village, as if I had traveled to the east from America to Japan. But the best destination during my tour by far was Iran. Giant ancient Persian kings, all standing in line, to welcome me or just express their might and fury at me, I can only wonder. I feel like I am in a Persian castle with torches burning on the walls and stores filled with “Zafran” something more expensive than silver and used in tea and other foods.  I thought to take an Iranian carpet in the hope that by paying around 20,000$ it could at least help me fly around the global village like “Aladdin”, but it was not. I was just planning to land in India but I just got the sight of Africa. Probably the richest place to visit. Large face masks, traditional African accessories. Loving people. Passionate about everything, they are probably the freshest people in this arena. On average, each country’s pavilion is large enough to find out about their culture, trade, and traditions. Now I was tired and I thought I had seen the place thoroughly. But my friend who hosted me at Global Village told me that I have just been through five to ten percent of the village only. This came to me as an exaggeration. If all this is not even ten percent so what kind of world we are in right now? The answer is the most distinct one. Because there were still ninety percent of countries I did not visit. There were several amazing restaurants providing cuisines of various countries of the world. There is an incredible amusement park. After knowing about all the attractions I thought that now there could not be anything more unique that can surprise me more, and I am already stunned by what this place has to offer. But to add to the wonders, I just found a floating boat market. A full street with floating boats providing goods and foodstuff of various origins. Exceptional people with an exclusive way of preparing food and selling goods. Remember we are in the middle of the desert and we are already shocked by what we have seen and then you find a floating market, full of boats, actively running their trade affairs. There is plenty more to write about this place. But I can only say there is no other attraction in Dubai like the Global Village. You can spend the whole day, even several days and you will still have a lot more to explore here. It is a never-ending entertainment! You may be interested in reading other Magnav Magazine articles such as The Good, the Bad and the Ugly Side of Social Media Influencers, Nutritious Skin Reduces the amount of Makeup You may Need, Breaking Barriers, Digital Landscape Influencing The Magazine Industry, and Navigating the Unspoken Realm of Female Infertility. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Moroccan Caftan a Traditional Heritage between Past and Present By Ibitssam Belkoutbi Is Caftan the most beautiful attire among all other traditional wears? Among the masterpieces of Moroccan authenticity, culture, and heritage are ancient and unique traditional things that distinguish the country from the rest of the world. Authentic Moroccan caftan, also known as kaftan or qftan, is a traditional, elegant garment worn by both men and women in Morocco. However, when people refer to the “Moroccan caftan” in a fashion context, they usually talk about the elaborate and luxurious women’s caftan. This dress was reserved for the sultans and kings of Morocco, who made it their main dress throughout the ages. It was considered a symbol of luxury and heritage and evidence of their interest in elegance and beauty. The design and composition of the caftan are in the hands of skilled Moroccan craftsmen, who followed several stages in the manufacture of this garment, from luxurious fabrics such as silk, satin, or brocade. Caftan was reserved for the sultans and kings of Morocco, who made it their main dress throughout the ages. It is known for its elaborate embroidery, beading, and intricate designs, especially around the neckline, sleeves, and hem. The caftan Is typically loose-fitting and features wide sleeves, giving it a flowing and regal appearance. Moroccan caftans are commonly worn on special occasions and events, such as weddings, celebrations, and formal gatherings. They are considered a symbol of elegance and are often chosen for their opulent and festive appearance. Women often pair the caftan with traditional Moroccan jewelry, such as elaborate necklaces, bracelets, and earrings. A matching belt or sash may be worn to cinch the waist and add a finishing touch to the overall look. There are various styles and variations of the Moroccan caftan, with differences in colors, fabrics, and embellishments. The caftan can be worn in different ways, with some variations having a hood or a more fitted silhouette. History and Origin The caftan is deeply rooted in Moroccan culture and has been worn for centuries. It reflects the country’s rich history and craftsmanship. The caftan has its roots in the traditional clothing of the Ottoman Empire, where Ottoman influence on Morocco, especially during the Saadian and Alaouite dynasties, played a crucial role in shaping the country’s culture and fashion. Morocco also has a strong Berber (North African indigenous people) heritage, where elements of traditional Berber clothing have contributed to the design of the caftan and Berber textiles, embroidery techniques and patterns have influenced the motifs and embellishments found on the caftan. The Caftan has its roots in the traditional clothing of the Ottoman Empire, where Ottoman influence on Morocco, especially during the Saadian and Alaouite dynasties On the other hand, the Islamic influence on Moroccan culture contributed to highlighting the modest and loose style of the caftan. Islamic traditions in dress played a role in shaping the overall design, with an emphasis on covering the body gracefully and elegantly embodies the values of morals and modesty. During the French and Spanish colonial period in Morocco, European fashion trends had their influence on the caftan. This effect is particularly evident in the use of some fabrics, colors, and decorations. The caftan has also been historically associated with the Moroccan royal court and aristocracy. It was often worn by women of high social status during special occasions and celebrations. The design and materials used in the caftan were often an indicator of the social status of the wearer and over time, the caftan evolved to include modern elements while maintaining its traditional essence. Contemporary kaftans often feature a mix of traditional and modern fabrics and innovative designs. They are not only worn on special occasions but have become a popular choice for weddings, festivals, and formal occasions. In recent years, the Moroccan caftan has gained international fame and popularity. Fashion designers around the world have incorporated elements of the kaftan into their collections, and the garment is often seen on red carpets, at fashion events, and international festivals and events. Finally, The Moroccan caftan is not just a garment, it is an authentic, elegant, and timeless piece of art that captivates people in Morocco and abroad, is often passed down through generations, and remains a symbol of Moroccan identity and cultural pride that must be preserved. Wearing Experience   This traditional outfit is among my favorite clothes for all occasions, especially at weddings, so I wear the finest types of caftans and choose elegant dresses and colors that suit my shape. Since I was young, I have had the most beautiful moments with this traditional outfit. I was fascinated by the rich fabric of Moroccan culture that surrounds me. I have developed a deep and strong appreciation for the traditional clothing worn by women in my community, and one garment, in particular, has a special place in my heart, the “Moroccan caftan.” My fascination with the kaftan began at an early age when my mother would share with me stories of the intricate designs, the art of embroidering the dresses, and the vibrant colors that adorn these traditional dresses. Then it became clear to me that the caftan was not just a piece of clothing; it was a symbol of heritage, craftsmanship, and the beauty of Moroccan art. When I grew up, my aunt gave me a beautiful caftan that was passed down through the generations. The dress was a stunning mix of silk and satin, adorned with delicate embroideries and accented with metallic threads that sparkled in the sunlight. At that time, I felt a deep connection to my roots whenever I wore the kaftan as if I was carrying a piece of my family’s history with me. My fascination with the kaftan began at an early age when my mother would share with me stories of the intricate designs, the art of embroidering the dresses, and the vibrant colors that adorn these traditional dresses. Over the years, my love for the Moroccan caftan deepened

Nutritious Skin Reduces the amount of Makeup You may Need By Kate Mose Elegant “MIRNA KASSAB”  Fosters more Skincare and leads to Fewer Makeup Constraints Beauty is today’s mandate, beautiful skin is more valuable than any of your makeup looks. Men and women of every age group are equally concerned about their looks. It is not segregated by gender. Beauty doesn’t catch the eyes and hearts but also brings about a serene vibe. The world today is exceptionally inclined to the wonders of beauty.  It is said that the use of well-formulated skincare products can reduce the amount of makeup you’ll need. It is said that your skin is like an art canvas and only a smooth and clean canvas allows the brush to move without any resistance.  Even the makeup lasts longer if the skin is hydrated.  Mirna Kasaab, an exceptionally adolescent and gorgeous beauty consultant is one of the most familiar names in the Middle East when it comes to skin and beauty. In an interview exchanged words with team Edgy and shared her experiences and her journey to start working as a beauty consultant. She is a bonified beauty example with exceptional skills and splendid work. Edgy got an opportunity to talk about her professional journey. She mentioned she carries a  bachelorc’s degree in French Literature from Damascus University. However, she preferred to work in the beauty business, especially in skin-care services. She highlighted that it’s her passion and love. During her university studies and after that, she did all then-available courses and training in Syria and Lebanon to master this profession. Still, she felt like these courses were not enough. She extended her study for skincare beyond all possible available sources. It developed from a hobby where she takes care of only her skin, to help her sisters and friends, to a profession where she can help customers in taking care of their skin. Such a passionate approach. Impressive! “THE NATURAL BEAUTY IS SIMPLE, NOT COMPLICATED, NOT COMPLEX AT ALL” Her journey of work started when she opened her first center in Damascus in 2007 and had to close it in 2014 when she moved to UAE after the war in Syria. In 2017, she opened her first beauty center in UAE at Hilton Sharjah. Due to the pandemic that branch was forced to shut, and she had to close the center as well and started again from zero. She was able to launch a bigger brand in Dubai with double the size of the first one at the end of 2020. Mirna is also a Certified International Trainer in Skincare. She worked as a trainer in the Continuing Education Center at Ajman University teaching skincare diplomas. She is a mother of three kids.  Though Mirna is a beauty consultant, still she has a practical naive approach toward the standards of beauty. She is a mesmerizingly living statue of beauty. She was asked how she defines beauty, and she beautifully defined it in a few remarkable words, “more simple, more beautiful.” She added that it is the motto in their center. This is how she understands beauty; it is in simplicity. Natural beauty is simple, not complicated, not complex. She believes that all women are beautiful, no matter what their colors, shapes, sizes, or looks are. Yes, beauty is crucial, but it shouldn’t be our priority. Mirna clearly stated that here in the center, they believe that healthy skin should be the first interest of anyone. The idea that beauty is about features and figures is outdated. Edgy team inquired about what culture runs in her center and why is it different and special in her views. She responded by saying that in her center, they practice and offer different cultures about beauty. Now makeup is used to cover skin problems that are causing other problems for the skin. She says that their focus here is on healthy skin, how to protect it, and deal with its problems – not the medical ones, of course. Healthy skin has fewer problems. It needs less makeup to cover. You need less time to take care of. It also gives you a great feeling about yourself, more confidence, and self-esteem. She has many customers, who started to put on minimum makeup and don’t worry about taking selfies without a filter. They started to love themselves and their skin again. Some used to take care of their hair and nails and forget their more important skin. She explained that here we try to change the long-held culture and thinking that ignores skin and focuses on how we look and appear to the outside, even if it comes at our cost, without consideration for our health, how we feel about ourselves, financial abilities, etc. Another thing is, that taking care of your skin is a habit. We try to encourage this habit. Part of our services is educating customers on how to make skincare a habit for them, they do it continuously with minimum effort. “THE FOCUS HAS TO BE ON HEALTHY SKIN, HOW TO PROTECT IT AND DEAL WITH ITS PROBLEMS, HEALTHIER SKIN HAS FEWER PROBLEMS” It is believed that every profession needs a push, inspiration, and some sort of initiative to get it adapted and started. Mirna shared her story mentioning that since she was a teenager, all her sisters and friends used to focus on makeup products. For her, it was different. She believed that makeup would not add beauty to her looks. Her first interest was how to take care of her skin. So she started reading about skin, its problems, remedies, and solutions. All her friends buy a lot of makeup and perfume products. She buys only skincare products. During her university, all of her budget was used to spend on buying skin-care products. Mirna says that till today they don’t have international brands in the local market in Syria. She used to go to Beirut only to buy new products, she read or hear